American singers – Steveazarlive http://steveazarlive.com/ Thu, 17 Nov 2022 05:33:25 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://steveazarlive.com/wp-content/uploads/2021/10/icon-120x120.png American singers – Steveazarlive http://steveazarlive.com/ 32 32 Caribbean and Latin American singers in 2023 Grammy nominations https://steveazarlive.com/caribbean-and-latin-american-singers-in-2023-grammy-nominations/ Tue, 15 Nov 2022 20:32:31 +0000 https://steveazarlive.com/caribbean-and-latin-american-singers-in-2023-grammy-nominations/ BY WRITER NAN News Americas, NEW YORK, NY, Tuesday. November 15, 2022: More than two dozen Caribbean and Latin singers are among the 2023 Grammy nominees for the 65th GRAMMY Awards, which were announced today. Puerto Rican rapper and singer Benito Antonio Martínez Ocasio, better known as Bad Bunny, made history as his album “Un […]]]>

BY WRITER NAN

News Americas, NEW YORK, NY, Tuesday. November 15, 2022: More than two dozen Caribbean and Latin singers are among the 2023 Grammy nominees for the 65th GRAMMY Awards, which were announced today.

Puerto Rican rapper and singer Benito Antonio Martínez Ocasio, better known as Bad Bunny, made history as his album “Un Verano Sin Ti” became the first Latin album to be nominated for Grammy’s Album of the Year. Year.

The album was also nominated in the Best Urban Music Album category while Bunny was also nominated for Best Pop Solo Performance for “Moscow Mule”.

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Other Puerto Rican singers have dominated this year. Puerto Rican singer and songwriter Rauw Alejandro was nominated for Best Urban Music Album for “Trap Cake, Vol. 2” as was Daddy Yankee for “Legendaddy” and Farruko for “La 167”.

Mark Anthony was nominated in Best Tropical Latin Album for “Pa’lla Voy” while “Lado A Lado B”, by Víctor Manuelle, also from Puerto Rico, is also up for Best Tropical Latin Album nomination, while like his compatriot. man, Tito Nieves, for “Legendario”.

Cuba’s Cimafunk was also nominated in the Best Latin or Alternative Rock Album category for “El Alimento”.

Other Caribbean stars nominated this year are in the Best Reggae Album category and include an all-Jamaican line-up. They are Kabaka Pyramid for “The Kalling”, Koffee for “Gifted”, Sean Paul for “Scorcha”, Protoje for “Third Time’s the Charm” and Shaggy for “Com Fly Wid Mi”.

Meanwhile, the Latin singers making the 2023 nomination this year are as follows:

Best Latin Pop Album

“Pasieros”, Rubén Blades, Panamanian musician, singer, composer, actor and activist, and Brazilian group Boca Livre.

“De Adentro Pa Afuera”, Camilo, Colombian singer, musician and songwriter.

“Viajante”, the Colombian singer Fonseca and

“Dharma+”, by Sebastián Yatra, Colombian singer, songwriter and actor.

Best Urban Music Album

“The Love & Sex Tape”, by Maluma from Colombia.

Best Latin or Alternative Rock Album

“Tinta y Tiempo”, Jorge Drexler, Uruguayan musician, actor and doctor.

“1940 Carmen”, Mon Laferte, Chilean musician, singer, composer and painter.

“Alegoría”, Gaby Moreno, singer-songwriter, producer, film composer and guitarist from Guatemala.

And “Los Años Salvajes”, by Fito Paez, popular Argentine rock and roll pianist, lyricist, singer-songwriter and director.

Best Regional Mexican Music Album (Including Tejano)

“Abeja”, Reina Chiquis, a Mexican-American singer.

“Un Canto por México – El Musical”, Natalia Lafourcade, Mexican pop-rock and folk singer and songwriter.

“La Reunión (Deluxe)”, Los Tigres Del Norte, a band originally founded in Mocorito, Sinaloa, Mexico.

“EP #1”, Forajido Christian Nodal, Mexican singer, songwriter and multi-instrumentalist.

And “Qué Ganas de Verte (Deluxe)”, by Marco Antonio Solís, Mexican musician, singer, composer and record producer.

Best Tropical Latin Album

“Cumbiana II”, by Colombian singer, songwriter and actor Carlos Vives.

The 65th GRAMMY Awards will air live on Sunday, February 5 from the Crypto.com Arena in Los Angeles, and will air live on the CBS Television Network and stream live and on demand on Paramount+ from 8 p.m. to 11 p.m. 30 ET. / 5-8.30 p.m. PT+. The special ceremony broadcast time, hosts, presenters and performers will be announced soon.

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11th Young American Singers Competition, with the sponsorship of Bach Choir, back – Times News Online https://steveazarlive.com/11th-young-american-singers-competition-with-the-sponsorship-of-bach-choir-back-times-news-online/ https://steveazarlive.com/11th-young-american-singers-competition-with-the-sponsorship-of-bach-choir-back-times-news-online/#respond Sat, 06 Nov 2021 04:24:25 +0000 https://steveazarlive.com/11th-young-american-singers-competition-with-the-sponsorship-of-bach-choir-back-times-news-online/ [ad_1] Posted on November 06, 2021 at 12:05 am After a delay of more than 18 months, the final of the 11th Biennial Competition for Young American Singers, sponsored by the American Bach Society and the Bach Choir of Bethlehem, will be held this fall in Bethlehem. The finalists will appear before a panel of […]]]>


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Posted on November 06, 2021 at 12:05 am

After a delay of more than 18 months, the final of the 11th Biennial Competition for Young American Singers, sponsored by the American Bach Society and the Bach Choir of Bethlehem, will be held this fall in Bethlehem.

The finalists will appear before a panel of judges and an audience in Bethlehem, Pa. On Sunday, November 14 at 12:30 p.m., Luckenbach Mill, 459 Old York Road, Colonial Industrial Quarter, Bethlehem.

The finals of the competition are open to the public free of charge.

From a group of around 50 applicants, nine finalists were selected to compete for the top prize

Each singer will present a secco recitative and two arias by JS Bach.

The first prize winner chosen by the judges will receive a career development grant of $ 3,000 and an opportunity to perform solo with the Bach Choir of Bethlehem, in an upcoming season.

In addition to the first prize, up to three additional cash prizes of $ 500 may be awarded to other finalists, at the discretion of the judges.

The Bach Choir COVID-19 protocol requires members of the public to present proof of vaccination and an ID card. Face masks must be worn indoors.

Commenting on the long-awaited competition, artistic director and conductor Greg Funfgeld said: “Our competition for young American singers has identified incredible talents, including Dashon Burton, Meg Bragle, Sascha Cooke and several others, all of whom are leading a major international career.

“Hearing these incredibly talented young artists and doing our part to foster their career development and artistic and musical growth has been deeply gratifying and satisfying. This is one more aspect of our educational commitment and I am proud of all that we have achieved, ”said Funfgeld.

Leela Breithaupt, who began her tenure as CEO of the Bach Choir in July, looks forward to meeting and hearing from the finalists in November.

“The Young American Singers competition is an essential way to discover and encourage young singers who have a particular interest in Bach’s music. We are delighted to welcome the competition again and invite these talented musicians to Bethlehem, ”said Breithaupt.

Judges for the final will include:

• Kendra Colton, soprano

• Rosa Lamoreaux, soprano and conductor of the Bach Choir

• David Newman, bass baritone

• Stephen Crist, Bach Fellow and Faculty Member, Emory University

• Greg Funfgeld, artistic director and conductor of the Bach Choir Bethlehem

The American Bach Society was founded in 1972 by a group of American academics in Princeton, NJ, who formed a chapter of the Neue Bachgesellschaft (New Bach Society), an organization founded in Germany in 1900 to promote the study and the interpretation of Bach’s music.

The founding members of the American chapter included Gerhard Herz, Alfred Mann, Robert Marshall, Arthur Mendel, William Scheide and Christoph Wolff.

Mann, as secretary, administered the affairs of the chapter from the offices of America’s oldest Bach organization, The Bach Choir of Bethlehem (founded 1898), where he was director from 1970 to 1980.

The New Bach Society, American chapter, held its first meeting in 1976 at the Moravian Seminary in Bethlehem, and continued to hold meetings every three years until 1988.

In 1988, under the leadership of George Buelow, the section incorporated into the American Bach Society, an independent non-profit organization.

In 2000, in collaboration with the Bach Choir of Bethlehem, the Society created a biennial Bach Singing Competition for young American singers.

Information:

Young American Singers Competition

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US singers Blake Shelton and Gwen Stefani officially engaged, Entertainment News & Top Stories https://steveazarlive.com/us-singers-blake-shelton-and-gwen-stefani-officially-engaged-entertainment-news-top-stories/ https://steveazarlive.com/us-singers-blake-shelton-and-gwen-stefani-officially-engaged-entertainment-news-top-stories/#respond Wed, 28 Oct 2020 07:00:00 +0000 https://steveazarlive.com/us-singers-blake-shelton-and-gwen-stefani-officially-engaged-entertainment-news-top-stories/ [ad_1] Less than a month after American country singer Blake Shelton posted his love for Gwen Stefani on social media on his 51st birthday, he asked his five-year-old girlfriend the crucial question. And his response? “Yes, please,” the No Doubt frontman wrote on social media. She posted a photo of them kissing and showing her […]]]>


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Less than a month after American country singer Blake Shelton posted his love for Gwen Stefani on social media on his 51st birthday, he asked his five-year-old girlfriend the crucial question.

And his response?

“Yes, please,” the No Doubt frontman wrote on social media. She posted a photo of them kissing and showing her a ring on her finger.

Shelton, 44, posted the same photo and wrote: “Thanks for saving my 2020 … and the rest of my life … I love you. I heard a YES.”

According to People magazine, the couple got engaged in Oklahoma, where they spent time on their ranch amid the coronavirus pandemic.

On October 3, Stefani’s birthday, Shelton posted a photo of them in their Happy Anywhere clip, where she is seen snuggling up to him in a cornfield.

He wrote: “It’s a special day for a special woman in my life. Happy birthday @gwenstefani, I would write a song for you everyday if I could.”

The two met as coaches on the singing contest show The Voice (2011-present) and went public with their relationship in November 2015 after rumors they were dating surfaced online. .

Shelton was married to country singer Miranda Lambert, 36, from 2011 to 2015, while Stefani was married to English singer Gavin Rossdale, 54, for almost 14 years until their divorce was finalized in 2016. Stefani and Rossdale have three sons together.

At the CMT Music Awards on October 21, Shelton and Stefani won the Collaborative Video of the Year award for their song Nobody But You. They are currently appearing as coaches in the 19th season of The Voice alongside singers John Legend and Kelly Clarkson.

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American singers in Germany reveal how opera safely resumes https://steveazarlive.com/american-singers-in-germany-reveal-how-opera-safely-resumes/ https://steveazarlive.com/american-singers-in-germany-reveal-how-opera-safely-resumes/#respond Mon, 12 Oct 2020 07:00:00 +0000 https://steveazarlive.com/american-singers-in-germany-reveal-how-opera-safely-resumes/ [ad_1] Nationaltheater, where the Bayerische Staatsoper takes place. Wilfried Hösl In Germany, live opera is making a gradual comeback. Just last week, an ambitious second installment of director Stefan Herheim’s film Ring cycle opened in Berlin. And in Bavaria, site of Germany’s first COVID-19 infection, Munich’s Bayerische Staatsoper (BSO) announced it would build its revised […]]]>


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Nationaltheater, where the Bayerische Staatsoper takes place. Wilfried Hösl

In Germany, live opera is making a gradual comeback. Just last week, an ambitious second installment of director Stefan Herheim’s film Ring cycle opened in Berlin. And in Bavaria, site of Germany’s first COVID-19 infection, Munich’s Bayerische Staatsoper (BSO) announced it would build its revised season of staged operas and ballets at the request of a hungry audience. of culture. Such news may seem otherworldly to opera fans in the United States, where the Metropolitan Opera has canceled its entire 2020-21 season, a grim indicator for other U.S. performing arts institutions as the country fails to limit the spread of a respiratory virus that makes singers particularly vulnerable.

For the handful of American singers based in Germany, the dissonance between what happens at home and a gradual return to work is unsettling. And for the members of the group under contract who readjust to a modified but rigorous resumption of their work, it is downright dizzying.

“It’s very disorienting being an American in Germany because most of the news we see is about what’s going on back home,” said Samantha Hankey, an American mezzo-soprano in the Bayerische Staatsoper ensemble since 2019. , “So, being in a country where things are going pretty well, it’s heartbreaking to be at work.

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Hankey and his colleagues, a group of 22 singers of different voice types, performance backgrounds and nationalities, form the core of the historic Munich theater’s solo voice reserves. Unlike most singers in the United States, who negotiate an independent career after music school and young artist programs, contract ensemble singers in Germany build their careers by performing regularly and studying lead roles. and stars in state-sponsored theaters. A local thirst for opera in these communities means that opportunities are abundant, exposure is high, and independent colleagues can be counted among international opera A-listers.

While many European singers began their careers working in ensembles in regional houses, a small handful of American singers, such as Hankey in Munich, Jessye Norman in Berlin and Thomas Hampson in Zurich, also turned to theaters in European directory to gain experience. Despite the job security enjoyed by members of the ensemble, Americans have a steep learning curve that involves moving abroad, often to provincial towns; repeat rehearsals in foreign languages; and adapt quickly to a demanding performance schedule in which some productions may receive simple hours of rehearsal before opening.

“It’s not that things are crazy and out of control,” said baritone Sean Michael Plumb, a member of the BSO ensemble since 2015, “but it forces me to trust my colleagues that everyone else does. his work.”

This level of activity not only offers many opportunities for on-the-job learning, but it also allows flexibility in the repertoire and frequency of performances that satisfies the unique cultural appetite of the region and betrays both a different business model and a different look for opera. than the standard in the United States

“The enthusiasm of the Munich community for this theater is unlike anything I have ever seen. It’s a respected thing to be a singer here. It’s an honor to be a singer, ”observed soprano Emily Pogorelc, whose arrival in Munich before the start of her contract in August was fraught with uncertainty and bureaucracy.

Chancellor Angela Merkel echoed this passion in her remarks on extended virus precautions to Bundestag lawmakers last week, saying: “We want the economy to recover; we want artists to be able to perform again.

And little by little, the artists replay. Since the spring, when weekly live concerts brought both artists and a small number of spectators to the Staatsoper, performances have resumed in Munich with the official opening of the season, the premiere of Marina Abramović. 7 deaths of Maria Callas, in September. But reopening the Staatsoper, with its rapid turnover of artists and productions, means adjusting to the pandemic in audience and behind the scenes, and steward Nikolaus Bachler, in his final year on the job, has chosen to follow protocol developed for this year’s Salzburg Festival, in which more than 100 lyrical, theatrical and symphonic events were presented to 70,000 people without any resulting cases of COVID-19.

While distancing itself into the theater, masks, routine performer and staff testing, and keeping individual contact logs for employees are all factored into the plan, the BSO also borrowed the badge system from several levels of Salzburg for workers. Ranging from red (artists whose work makes it impossible to adhere to distancing or mask rules during rehearsals) to yellow (employees must adhere to standard public health guidelines), ID badges have become a symbol of how including the element of trust that Plumb mentioned on a daily basis. -the overall daytime work has changed during the pandemic. “It takes a lot of trust in our entire opera community,” says Hankey. “COVID-19 is still here. We are taking a risk. “

Identification badges alert members of the Bayerische Staatsoper society to which social distancing protocols they adhere to. Bayerische opera house

Regardless of the success of Salzburg, BSO’s efforts to apply these measures over a longer period to a greater number of stage productions with variables such as backing vocals, international cast and technical processes involved are particularly ambitious. Overcoming challenges has meant changing rehearsal processes, both for covers, which may only receive one rehearsal on stage before opening, as well as for new productions, which may linger for weeks in a room. of rehearsal.

In a recent upturn in The magic flute, with Hankey as the second lady, the quick changes were eliminated and the music was cut off, although she actually received a slower and more intentional rehearsal process than when she rehearsed the part in February. Meanwhile, a new production by Walter Braunfels Die Vögel, an adaptation of Aristophanes’ satirical ensemble comedy The birds starring Pogorelc, organized musical rehearsals in a warehouse in Munich to accommodate the mass distribution and the choir under the direction of Ingo Metzmacher.

“This is a very timely article about following a good hope and counseling friends through the adventures of the bird kingdom, but there is a huge chorus. It was so amazing to hear such a great choir live now, ”said Pogorelc.

Although ensemble singers spend the majority of their time in their home theaters, the Staatsoper encourages singers to sing roles in other homes in Europe and the United States. But since the pandemic began in March, a proverbial “cascade of cancellations,” as Plumb puts it, has continued its demoralizing flow outside Munich. The impetus to return to work where possible, however, has remained strong, even as security measures evolve in response to the virus.

“The initial shock has worn off and we are all getting our sleeves back and doing whatever it takes to put on the show,” he added.

The luxury of returning to work is now granted to a small handful of singers around the world. But both for the artists and for the enthusiastic and complacent audience, the distance has sparked a reflection on the value of opera for both singers and spectators.

“I have a renewed sense of appreciation for what I’m doing, how special and necessary it is. I’m not sure if it’s the right thing to do in the midst of a pandemic, but that just feels right to me, “Hankey said.” It’s really appreciated by the audience and it makes me feel like I have a goal. “

American opera singers in Germany explain how they get back to work safely

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Latin American singers unite their voices to contribute to the response to the COVID-19 pandemic in the Americas – PAHO/WHO https://steveazarlive.com/latin-american-singers-unite-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/ Fri, 10 Apr 2020 07:00:00 +0000 https://steveazarlive.com/latin-american-singers-unite-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/ Singer Salomón Beda will donate the royalties from the new version of his song “Pa’alante”, performed by 17 artists, to PAHO’s response in the countries of the region. Washington, DC, April 10, 2020 (OPS) – The Pan American Health Organization (PAHO) and Colombian singer Salomón Beda have signed an agreement under which the artist is […]]]>

Singer Salomón Beda will donate the royalties from the new version of his song “Pa’alante”, performed by 17 artists, to PAHO’s response in the countries of the region.

Washington, DC, April 10, 2020 (OPS) – The Pan American Health Organization (PAHO) and Colombian singer Salomón Beda have signed an agreement under which the artist is donating royalties from his theme music, “Pa’alante to the activities that PAHO is carrying out in the Region of the Americas to combat the 2019 Novel Coronavirus (COVID-19) pandemic.

Artists from Argentina, Colombia, Peru, Mexico, Ecuador, Venezuela, Chile, Puerto Rico and the United States have teamed up to record a new version of Beda’s song, titled “Pa ‘alante’, with the aim of raising funds for the response to the pandemic by COVID-19, in an initiative called #Volveranlosabrazos (The hugs will return). The version of the song will be available on digital music and video platforms (Spotify, Pandora, iTunes, among others), and the royalties obtained will be donated to PAHO.

The collaborators of the new version of “Pa’alante” are: Santiago Cruz, Sie7e, Telebit, Simon Grossman, Luz Pinos, Vicente Cifuentes, Marissa Mur, Mareh, Pilar Cabrera, Kanaku and el Tigre, Sebastián Romero, Alejandro and Maria Laura , Duina del Mar, Prime Numbers, Lorena Blume, Alejandro Roca Rey and Matias Cella, who performed the musical mix. It’s “a pan-American synchronized choir trying to help the most vulnerable,” Beda said. The artists will also collaborate in spreading information about the disease among their followers.

Apart from raising funds, added Beda, “the song is perfect for giving courage and strength to people in these difficult times. But we also know that many people need more resources to survive this crisis. , and that is why we have decided to give our all to try to help the most vulnerable people.”

PAHO has called on donors and partners to increase the capacity of countries in the Americas to respond to COVID-19. The response strategy has two main objectives: stopping the transmission of the virus and mitigating the health impact of COVID-19 in the Region. $94.8 million is initially needed to support critical response efforts in countries most in need through September 2020.

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Latin American singers join their voices to contribute to the response to the COVID-19 pandemic in the Americas – PAHO / WHO https://steveazarlive.com/latin-american-singers-join-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/ https://steveazarlive.com/latin-american-singers-join-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/#respond Fri, 10 Apr 2020 07:00:00 +0000 https://steveazarlive.com/latin-american-singers-join-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/ [ad_1] Singer Salomón Beda will donate the royalties of the new version of his song “Pa’alante”, performed by 17 artists, to PAHO’s response in countries in the region. Washington, DC, April 10, 2020 (OPS) – The Pan American Health Organization (PAHO) and Colombian singer Salomón Beda have signed an agreement whereby the artist donates the […]]]>


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Singer Salomón Beda will donate the royalties of the new version of his song “Pa’alante”, performed by 17 artists, to PAHO’s response in countries in the region.

Washington, DC, April 10, 2020 (OPS) – The Pan American Health Organization (PAHO) and Colombian singer Salomón Beda have signed an agreement whereby the artist donates the royalties from his musical theme, “Pa’alante “to activities that PAHO is carrying out in the Americas region to combat the 2019 novel coronavirus pandemic (COVID-19).

Artists from Argentina, Colombia, Peru, Mexico, Ecuador, Venezuela, Chile, Puerto Rico and the United States joined forces to record a new version of Beda’s song, titled ” Pa’alante “, with the aim of raising funds for the response to the COVID-19 pandemic, as part of an initiative called #Volveranlosabrazos (Hugs Will Come Back). The song’s version will be made available on digital music and video platforms (Spotify, Pandora, iTunes, among others), and the royalties obtained will be donated to PAHO.

The collaborators of the new version of “Pa’alante” are: Santiago Cruz, Sie7e, Telebit, Simon Grossman, Luz Pinos, Vicente Cifuentes, Marissa Mur, Mareh, Pilar Cabrera, Kanaku and el Tigre, Sebastián Romero, Alejandro and Maria Laura , Duina del Mar, Prime Numbers, Lorena Blume, Alejandro Roca Rey and Matias Cella, who performed the musical mix. It is “a synchronized Pan American choir trying to help the most vulnerable,” Beda said. The artists will also collaborate in disseminating information about the disease among their followers.

In addition to fundraising, Beda added, “The song is perfect for giving people courage and strength in these difficult times. But we also know that many people need more resources to survive this crisis, and that is why we have decided to give our all to try to help the most vulnerable people. “

PAHO called on donors and partners to increase the capacity of countries in the Americas to respond to COVID-19. The response strategy has two main objectives: to stop the transmission of the virus and to mitigate the health impact of COVID-19 in the Region. $ 94.8 million is initially needed to support critical response efforts in countries most in need of aid until September 2020.

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Bappi Lahiri is ready to make music with American singers Lady Gaga and Akon https://steveazarlive.com/bappi-lahiri-is-ready-to-make-music-with-american-singers-lady-gaga-and-akon/ https://steveazarlive.com/bappi-lahiri-is-ready-to-make-music-with-american-singers-lady-gaga-and-akon/#respond Tue, 22 Oct 2019 07:00:00 +0000 https://steveazarlive.com/bappi-lahiri-is-ready-to-make-music-with-american-singers-lady-gaga-and-akon/ [ad_1] We have seen some of the famous American pop singers come to the Bollywood platform to stream popular songs including the title song of Singh Is King, sung by Snoop Dog, Chamak Challo, performed by Akon and Chiggy Wiggy, sung by Kylie Minogue. . Although these American singers were brought in by superstars Akshay […]]]>


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We have seen some of the famous American pop singers come to the Bollywood platform to stream popular songs including the title song of Singh Is King, sung by Snoop Dog, Chamak Challo, performed by Akon and Chiggy Wiggy, sung by Kylie Minogue. . Although these American singers were brought in by superstars Akshay Kumar and Shah Rukh Khan, but this time a music composer is going to bring two mega singers for his next track.

Confirming the same, the music composer, Bappi has recorded his duet with Lady Gaga where she will sign in English while Lahiri will sing in her inimitable style in Hindi, as quoted by Mumbai Mirror. The report says the music composer is set to bring Lady Gaga in for her next song. He was quoted as saying, “Yes, two duets, with her singing in English and me in Hindi in my inimitable style. We are now awaiting the green light for release, hopefully by the end of the year. That’s not it, he also collaborated with Akon two months ago and he said that this song will be released soon.

Bappi Lahiri is not finished yet, tech house wizard Jamie Jones and DJ duo The Martinez Brothers also joined hands for the first time for a dual tracker with Bappi. He has the wind in his sails! Meanwhile, Bappi Lahiri is known to have composed upbeat disco tracks in the past.

Songs like Tamma Tamma Loge, Disco Dancer, Oo Lala Oo Lala, and many more are composed by Bappi Lahiri who became the chartbusters. These songs are still played on various occasions. Knowing the collections of Bappi songs, we wonder what new features he will offer in his next song.

Image source: Instagram / bappilahiri_official_ / ladygaga / akon

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Chester Male Voice Choir Welcomes American Singers For Special Concert https://steveazarlive.com/chester-male-voice-choir-welcomes-american-singers-for-special-concert/ https://steveazarlive.com/chester-male-voice-choir-welcomes-american-singers-for-special-concert/#respond Mon, 24 Jun 2019 07:00:00 +0000 https://steveazarlive.com/chester-male-voice-choir-welcomes-american-singers-for-special-concert/ [ad_1] Final preparations are underway in Chester as one of the city’s top choirs prepares to welcome not one, but two visiting choirs across the pond. Chester Male Voice Choir will extend the hand of friendship to two American choirs when they visit Chester on Wednesday July 17 at 7:30 p.m. for a joint concert […]]]>


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Final preparations are underway in Chester as one of the city’s top choirs prepares to welcome not one, but two visiting choirs across the pond.

Chester Male Voice Choir will extend the hand of friendship to two American choirs when they visit Chester on Wednesday July 17 at 7:30 p.m. for a joint concert at Chester Town Hall.

The Voices in Harmony concert will feature performances by the Chester Male Voice Choir, under the musical direction of Rodney T Jones with the accompaniment of Helen Jackson, and a mixed choir composed of 60 members of Orange Community Master Chorale and Master Chorale of Saddleback County in Saddleback County. California who are visiting Chester as part of a concert tour of Scotland and northern England.

Formed in 1994, The Orange Community Master Chorale is a community choir located in the city of Orange, Orange County, California, and has a reputation as one of the best community choir organizations in southern California.

The choir has participated in and created events with the goal of making the city of Orange more culturally and musically diverse and they hold large-scale community events in the city every year, including the tree-lighting and candle-light procession for the city of Orange which sees several thousand people. waiting for.

The choir has also been a featured choir for special performances each year, including the Candlelight Procession at Disneyland in Anaheim, California, and they have also performed at the Disney Community Service Awards.

The choir also presents fall and spring concerts and in May 2009 performed at the prestigious Carnegie Hall in New York under the direction of their director Michael Short.

The choir’s most recent performance was Carmina Burana with the Saddleback Valley Master Choir joining the choir on their UK tour including the concert with Chester Male Voice Choir at Town Hall.

Formed in 1963, the Master Choir of Saddleback County celebrated its 50th anniversary in 2013. The choir is dedicated to providing cultural service to Orange County in the presentation of choral masterpieces and in the encouragement of the performing arts. musical scene in general.

The oldest choral group in Orange County, the group currently has nearly 50 choral musicians in its ranks.

The American Combined Choir will be conducted by Michael Short, the founder and musical director of Orange Community Master Chorale.



Members of the Chester Male Voice Choir (LR): James Pye, David Marks, Ian Belton, Mike Heathcote, Peter Walsh, Martin Hine, David Lamb, Blair Wilson, Ron Webster, Geoffrey Hewson and (kneeling) Cerith Thomas with chairman of John Walsh Choir prepares to welcome two visiting choirs from the United States who will join them for a special concert at Chester Town Hall

In addition to his secular responsibilities as Vocal Music Director at Orange High School, Michael is also Music Director at First United Methodist Church in the City of Orange and has conducted several concerts at Carnegie Hall in New York with high school and college students. adults. and regularly hosts concert tours for both age groups in the United States and internationally, including the tour that includes the choir tour in Chester.

Under his direction, choral groups appeared in two feature films, Ed Wood and Sister Act 2, and performed the musical voiceover for a film about cult comic book legend Stan Lee.

Musical events in and around Cheshire

Chester Male Voice Choir President John Walsh said, “We are delighted to have been invited to host this joint concert for the California Combined Choir and perform at one of our favorite venues around the city.

“They’re in Chester for three days and this will be the last gig on the last day of their 10-day tour.

“We really can’t wait to be there and hear their contrasting program which should make for a memorable evening and a great memory for the tour.

“We are delighted to have both our President and our Vice President as guests of honor – Her Grace the Duchess of Westminster and the new Lord Mayor Councilor Mark Williams and his wife Denise.”

The concert will start at 7:30 p.m. and there will be an interval bar available. All the details on Voices in Harmony are available at www.chestermalevoice.com/concerts where tickets can be purchased online. Tickets can also be purchased in person at the Chester Town Hall Tourist Information Center or by phone on 07894 509529.

A limited number of tickets will also be available for purchase at the door the same evening.

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American singers never use the word “who” https://steveazarlive.com/american-singers-never-use-the-word-who/ https://steveazarlive.com/american-singers-never-use-the-word-who/#respond Thu, 16 May 2019 07:00:00 +0000 https://steveazarlive.com/american-singers-never-use-the-word-who/ [ad_1] I studied abroad in Austria when I was at university, and sometimes I like to listen to the Austrian Top 40 to hear a little German. Recently, a pop-rap song appeared called “Pass auf, wen Du Liebst” (“Be careful who you love”). “It’s grammatically correct! ” I was thinking. “It’s strange!” American and British […]]]>


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I studied abroad in Austria when I was at university, and sometimes I like to listen to the Austrian Top 40 to hear a little German. Recently, a pop-rap song appeared called “Pass auf, wen Du Liebst” (“Be careful who you love”). “It’s grammatically correct! ” I was thinking. “It’s strange!” American and British singers would never use who, the English equivalent of magnifying glass. There are more than a dozen songs with the title “Qui aime-tu?” and unless you use what grammarians would say is the appropriate form of the pronoun. Do German rappers have better grammar? What do we have against who?

who is now mainly relegated to the written language, appearing in literature, academic papers, and the Mueller Report. It is rarely heard, even in the most rarefied contexts, as linguists Yoko Iyeiri and Michiko Yaguchi discovered when they analyzed White House press briefings and university professors’ meetings. Using it is a dangerous endeavor, because even if used correctly, it can be seen as “frozen, archaic, stuffy, or contrived,” as linguist Alan Kaye explains. He means “pretentious” but is too polite to say it.

The disappearance of who is not a new development. It has been in constant decline since around 1830. A character in Shakespeare, for example, asks, “Who would you hit?”

Most English speakers no longer have an intuitive idea of ​​when to use who, and hundreds of websites and grammar guides have sprung up to offer advice on how to understand it. Usually they advise replacing who who with a form of he she, which we can do intuitively. Yes he she works, the sentence needs a subject and the pronoun must be who; if he she it’s better, it is necessary who. This rule works well with the song title and the quote from Shakespeare, but is less useful when the sentences get more complicated.

Magnifying glass, German who, is still in common use because German is a “moderately inflected” language, as English was 1,000 years ago. Inflection is how a language changes to mark things like the tense of the verb, the case of the noun, or the gender of the noun.

German is not as complicated as highly inflected Latin, but it still has four noun cases, which are distinguished by various endings, articles, and adjective agreements. In English, for example, our definite article is simply “the”; in German there are six distinct forms which are used in 16 different ways. German speakers instinctively know when to choose magnifying glass because they make similar linguistic choices all the time. English today is weakly inflected and is becoming less and less so.

German musicians do not show us their superior mastery of difficult grammatical points. “Who do you Love?” is a natural consequence of the disappearance of the inflections of English.

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American singers never use the word “who” https://steveazarlive.com/american-singers-never-use-the-word-who-2/ Thu, 16 May 2019 07:00:00 +0000 https://steveazarlive.com/american-singers-never-use-the-word-who-2/ I studied abroad in Austria when I was at university, and sometimes I like to listen to the Austrian Top 40 to hear some German. Recently, a pop-rap song called “Pass auf, wen Du Liebst” (“Be careful who you love”). “That’s grammatically correct!” ” I thought. “It’s strange!” American and British singers would never use […]]]>

I studied abroad in Austria when I was at university, and sometimes I like to listen to the Austrian Top 40 to hear some German. Recently, a pop-rap song called “Pass auf, wen Du Liebst” (“Be careful who you love”). “That’s grammatically correct!” ” I thought. “It’s strange!” American and British singers would never use whothe English equivalent of magnifying glass. There are more than a dozen songs with the title “Who do you love?” and nary one using what grammarians would say is the proper form of the pronoun. Do German rappers have better grammar? What do we have against who?

Who is now mostly relegated to written language, appearing in literature, academic papers, and the Mueller Report. It is rarely heard, even in the rarest of contexts, as linguists Yoko Iyeiri and Michiko Yaguchi found when they analyzed White House press briefings and meetings of university professors. Using it is a dangerous business, because even if used correctly, it can be seen as “fixed, archaic, stuffy or contrived”, as linguist Alan Kaye explains. He means “pretentious” but he’s too polite to say it.

The disappearance of who is not a new development. It has been in steady decline since about 1830. A character from Shakespeare, for example, asks, “Who would you hit?”

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