American singers – Steveazarlive http://steveazarlive.com/ Sun, 07 Nov 2021 18:09:19 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://steveazarlive.com/wp-content/uploads/2021/10/icon-120x120.png American singers – Steveazarlive http://steveazarlive.com/ 32 32 11th Young American Singers Competition, with the sponsorship of Bach Choir, back – Times News Online https://steveazarlive.com/11th-young-american-singers-competition-with-the-sponsorship-of-bach-choir-back-times-news-online/ https://steveazarlive.com/11th-young-american-singers-competition-with-the-sponsorship-of-bach-choir-back-times-news-online/#respond Sat, 06 Nov 2021 04:24:25 +0000 https://steveazarlive.com/11th-young-american-singers-competition-with-the-sponsorship-of-bach-choir-back-times-news-online/ Posted on November 06, 2021 at 12:05 am After a delay of more than 18 months, the final of the 11th Biennial Competition for Young American Singers, sponsored by the American Bach Society and the Bach Choir of Bethlehem, will be held this fall in Bethlehem. The finalists will appear before a panel of judges […]]]>

Posted on November 06, 2021 at 12:05 am

After a delay of more than 18 months, the final of the 11th Biennial Competition for Young American Singers, sponsored by the American Bach Society and the Bach Choir of Bethlehem, will be held this fall in Bethlehem.

The finalists will appear before a panel of judges and an audience in Bethlehem, Pa. On Sunday, November 14 at 12:30 p.m., Luckenbach Mill, 459 Old York Road, Colonial Industrial Quarter, Bethlehem.

The finals of the competition are open to the public free of charge.

From a group of around 50 applicants, nine finalists were selected to compete for the top prize

Each singer will present a secco recitative and two arias by JS Bach.

The first prize winner chosen by the judges will receive a career development grant of $ 3,000 and an opportunity to perform solo with the Bach Choir of Bethlehem, in an upcoming season.

In addition to the first prize, up to three additional cash prizes of $ 500 may be awarded to other finalists, at the discretion of the judges.

The Bach Choir COVID-19 protocol requires members of the public to present proof of vaccination and an ID card. Face masks must be worn indoors.

Commenting on the long-awaited competition, artistic director and conductor Greg Funfgeld said: “Our competition for young American singers has identified incredible talents, including Dashon Burton, Meg Bragle, Sascha Cooke and several others, all of whom are leading a major international career.

“Hearing these incredibly talented young artists and doing our part to foster their career development and artistic and musical growth has been deeply gratifying and satisfying. This is one more aspect of our educational commitment and I am proud of all that we have achieved, ”said Funfgeld.

Leela Breithaupt, who began her tenure as CEO of the Bach Choir in July, looks forward to meeting and hearing from the finalists in November.

“The Young American Singers competition is an essential way to discover and encourage young singers who have a particular interest in Bach’s music. We are delighted to welcome the competition again and invite these talented musicians to Bethlehem, ”said Breithaupt.

Judges for the final will include:

• Kendra Colton, soprano

• Rosa Lamoreaux, soprano and conductor of the Bach Choir

• David Newman, bass baritone

• Stephen Crist, Bach Fellow and Faculty Member, Emory University

• Greg Funfgeld, artistic director and conductor of the Bach Choir Bethlehem

The American Bach Society was founded in 1972 by a group of American academics in Princeton, NJ, who formed a chapter of the Neue Bachgesellschaft (New Bach Society), an organization founded in Germany in 1900 to promote the study and the interpretation of Bach’s music.

The founding members of the American chapter included Gerhard Herz, Alfred Mann, Robert Marshall, Arthur Mendel, William Scheide and Christoph Wolff.

Mann, as secretary, administered the affairs of the chapter from the offices of America’s oldest Bach organization, The Bach Choir of Bethlehem (founded 1898), where he was director from 1970 to 1980.

The New Bach Society, American chapter, held its first meeting in 1976 at the Moravian Seminary in Bethlehem, and continued to hold meetings every three years until 1988.

In 1988, under the leadership of George Buelow, the section incorporated into the American Bach Society, an independent non-profit organization.

In 2000, in collaboration with the Bach Choir of Bethlehem, the Society created a biennial Bach Singing Competition for young American singers.

Information:

Young American Singers Competition


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US singers Blake Shelton and Gwen Stefani officially engaged, Entertainment News & Top Stories https://steveazarlive.com/us-singers-blake-shelton-and-gwen-stefani-officially-engaged-entertainment-news-top-stories/ https://steveazarlive.com/us-singers-blake-shelton-and-gwen-stefani-officially-engaged-entertainment-news-top-stories/#respond Wed, 28 Oct 2020 07:00:00 +0000 https://steveazarlive.com/us-singers-blake-shelton-and-gwen-stefani-officially-engaged-entertainment-news-top-stories/ Less than a month after American country singer Blake Shelton posted his love for Gwen Stefani on social media on his 51st birthday, he asked his five-year-old girlfriend the crucial question. And his response? “Yes, please,” the No Doubt frontman wrote on social media. She posted a photo of them kissing and showing her a […]]]>

Less than a month after American country singer Blake Shelton posted his love for Gwen Stefani on social media on his 51st birthday, he asked his five-year-old girlfriend the crucial question.

And his response?

“Yes, please,” the No Doubt frontman wrote on social media. She posted a photo of them kissing and showing her a ring on her finger.

Shelton, 44, posted the same photo and wrote: “Thanks for saving my 2020 … and the rest of my life … I love you. I heard a YES.”

According to People magazine, the couple got engaged in Oklahoma, where they spent time on their ranch amid the coronavirus pandemic.

On October 3, Stefani’s birthday, Shelton posted a photo of them in their Happy Anywhere clip, where she is seen snuggling up to him in a cornfield.

He wrote: “It’s a special day for a special woman in my life. Happy birthday @gwenstefani, I would write a song for you everyday if I could.”

The two met as coaches on the singing contest show The Voice (2011-present) and went public with their relationship in November 2015 after rumors they were dating surfaced online. .

Shelton was married to country singer Miranda Lambert, 36, from 2011 to 2015, while Stefani was married to English singer Gavin Rossdale, 54, for almost 14 years until their divorce was finalized in 2016. Stefani and Rossdale have three sons together.

At the CMT Music Awards on October 21, Shelton and Stefani won the Collaborative Video of the Year award for their song Nobody But You. They are currently appearing as coaches in the 19th season of The Voice alongside singers John Legend and Kelly Clarkson.


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American singers in Germany reveal how opera safely resumes https://steveazarlive.com/american-singers-in-germany-reveal-how-opera-safely-resumes/ https://steveazarlive.com/american-singers-in-germany-reveal-how-opera-safely-resumes/#respond Mon, 12 Oct 2020 07:00:00 +0000 https://steveazarlive.com/american-singers-in-germany-reveal-how-opera-safely-resumes/ Nationaltheater, where the Bayerische Staatsoper takes place. Wilfried Hösl In Germany, live opera is making a gradual comeback. Just last week, an ambitious second installment of director Stefan Herheim’s film Ring cycle opened in Berlin. And in Bavaria, site of Germany’s first COVID-19 infection, Munich’s Bayerische Staatsoper (BSO) announced it would build its revised season […]]]>
Nationaltheater, where the Bayerische Staatsoper takes place. Wilfried Hösl

In Germany, live opera is making a gradual comeback. Just last week, an ambitious second installment of director Stefan Herheim’s film Ring cycle opened in Berlin. And in Bavaria, site of Germany’s first COVID-19 infection, Munich’s Bayerische Staatsoper (BSO) announced it would build its revised season of staged operas and ballets at the request of a hungry audience. of culture. Such news may seem otherworldly to opera fans in the United States, where the Metropolitan Opera has canceled its entire 2020-21 season, a grim indicator for other U.S. performing arts institutions as the country fails to limit the spread of a respiratory virus that makes singers particularly vulnerable.

For the handful of American singers based in Germany, the dissonance between what happens at home and a gradual return to work is unsettling. And for the members of the group under contract who readjust to a modified but rigorous resumption of their work, it is downright dizzying.

“It’s very disorienting being an American in Germany because most of the news we see is about what’s going on back home,” said Samantha Hankey, an American mezzo-soprano in the Bayerische Staatsoper ensemble since 2019. , “So, being in a country where things are going pretty well, it’s heartbreaking to be at work.

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Hankey and his colleagues, a group of 22 singers of different voice types, performance backgrounds and nationalities, form the core of the historic Munich theater’s solo voice reserves. Unlike most singers in the United States, who negotiate an independent career after music school and young artist programs, contract ensemble singers in Germany build their careers by performing regularly and studying lead roles. and stars in state-sponsored theaters. A local thirst for opera in these communities means that opportunities are abundant, exposure is high, and independent colleagues can be counted among international opera A-listers.

While many European singers began their careers working in ensembles in regional houses, a small handful of American singers, such as Hankey in Munich, Jessye Norman in Berlin and Thomas Hampson in Zurich, also turned to theaters in European directory to gain experience. Despite the job security enjoyed by members of the ensemble, Americans have a steep learning curve that involves moving abroad, often to provincial towns; repeat rehearsals in foreign languages; and adapt quickly to a demanding performance schedule in which some productions may receive simple hours of rehearsal before opening.

“It’s not that things are crazy and out of control,” said baritone Sean Michael Plumb, a member of the BSO ensemble since 2015, “but it forces me to trust my colleagues that everyone else does. his work.”

This level of activity not only offers many opportunities for on-the-job learning, but it also allows flexibility in the repertoire and frequency of performances that satisfies the unique cultural appetite of the region and betrays both a different business model and a different look for opera. than the standard in the United States

“The enthusiasm of the Munich community for this theater is unlike anything I have ever seen. It’s a respected thing to be a singer here. It’s an honor to be a singer, ”observed soprano Emily Pogorelc, whose arrival in Munich before the start of her contract in August was fraught with uncertainty and bureaucracy.

Chancellor Angela Merkel echoed this passion in her remarks on extended virus precautions to Bundestag lawmakers last week, saying: “We want the economy to recover; we want artists to be able to perform again.

And little by little, the artists replay. Since the spring, when weekly live concerts brought both artists and a small number of spectators to the Staatsoper, performances have resumed in Munich with the official opening of the season, the premiere of Marina Abramović. 7 deaths of Maria Callas, in September. But reopening the Staatsoper, with its rapid turnover of artists and productions, means adjusting to the pandemic in audience and behind the scenes, and steward Nikolaus Bachler, in his final year on the job, has chosen to follow protocol developed for this year’s Salzburg Festival, in which more than 100 lyrical, theatrical and symphonic events were presented to 70,000 people without any resulting cases of COVID-19.

While distancing itself into the theater, masks, routine performer and staff testing, and keeping individual contact logs for employees are all factored into the plan, the BSO also borrowed the badge system from several levels of Salzburg for workers. Ranging from red (artists whose work makes it impossible to adhere to distancing or mask rules during rehearsals) to yellow (employees must adhere to standard public health guidelines), ID badges have become a symbol of how including the element of trust that Plumb mentioned on a daily basis. -the overall daytime work has changed during the pandemic. “It takes a lot of trust in our entire opera community,” says Hankey. “COVID-19 is still here. We are taking a risk. “

Identification badges alert members of the Bayerische Staatsoper society to which social distancing protocols they adhere to. Bayerische opera house

Regardless of the success of Salzburg, BSO’s efforts to apply these measures over a longer period to a greater number of stage productions with variables such as backing vocals, international cast and technical processes involved are particularly ambitious. Overcoming challenges has meant changing rehearsal processes, both for covers, which may only receive one rehearsal on stage before opening, as well as for new productions, which may linger for weeks in a room. of rehearsal.

In a recent upturn in The magic flute, with Hankey as the second lady, the quick changes were eliminated and the music was cut off, although she actually received a slower and more intentional rehearsal process than when she rehearsed the part in February. Meanwhile, a new production by Walter Braunfels Die Vögel, an adaptation of Aristophanes’ satirical ensemble comedy The birds starring Pogorelc, organized musical rehearsals in a warehouse in Munich to accommodate the mass distribution and the choir under the direction of Ingo Metzmacher.

“This is a very timely article about following a good hope and counseling friends through the adventures of the bird kingdom, but there is a huge chorus. It was so amazing to hear such a great choir live now, ”said Pogorelc.

Although ensemble singers spend the majority of their time in their home theaters, the Staatsoper encourages singers to sing roles in other homes in Europe and the United States. But since the pandemic began in March, a proverbial “cascade of cancellations,” as Plumb puts it, has continued its demoralizing flow outside Munich. The impetus to return to work where possible, however, has remained strong, even as security measures evolve in response to the virus.

“The initial shock has worn off and we are all getting our sleeves back and doing whatever it takes to put on the show,” he added.

The luxury of returning to work is now granted to a small handful of singers around the world. But both for the artists and for the enthusiastic and complacent audience, the distance has sparked a reflection on the value of opera for both singers and spectators.

“I have a renewed sense of appreciation for what I’m doing, how special and necessary it is. I’m not sure if it’s the right thing to do in the midst of a pandemic, but that just feels right to me, “Hankey said.” It’s really appreciated by the audience and it makes me feel like I have a goal. “

American opera singers in Germany explain how they get back to work safely


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Latin American singers join their voices to contribute to the response to the COVID-19 pandemic in the Americas – PAHO / WHO https://steveazarlive.com/latin-american-singers-join-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/ https://steveazarlive.com/latin-american-singers-join-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/#respond Fri, 10 Apr 2020 07:00:00 +0000 https://steveazarlive.com/latin-american-singers-join-their-voices-to-contribute-to-the-response-to-the-covid-19-pandemic-in-the-americas-paho-who/ Singer Salomón Beda will donate the royalties of the new version of his song “Pa’alante”, performed by 17 artists, to PAHO’s response in countries in the region. Washington, DC, April 10, 2020 (OPS) – The Pan American Health Organization (PAHO) and Colombian singer Salomón Beda have signed an agreement whereby the artist donates the royalties […]]]>

Singer Salomón Beda will donate the royalties of the new version of his song “Pa’alante”, performed by 17 artists, to PAHO’s response in countries in the region.

Washington, DC, April 10, 2020 (OPS) – The Pan American Health Organization (PAHO) and Colombian singer Salomón Beda have signed an agreement whereby the artist donates the royalties from his musical theme, “Pa’alante “to activities that PAHO is carrying out in the Americas region to combat the 2019 novel coronavirus pandemic (COVID-19).

Artists from Argentina, Colombia, Peru, Mexico, Ecuador, Venezuela, Chile, Puerto Rico and the United States joined forces to record a new version of Beda’s song, titled ” Pa’alante “, with the aim of raising funds for the response to the COVID-19 pandemic, as part of an initiative called #Volveranlosabrazos (Hugs Will Come Back). The song’s version will be made available on digital music and video platforms (Spotify, Pandora, iTunes, among others), and the royalties obtained will be donated to PAHO.

The collaborators of the new version of “Pa’alante” are: Santiago Cruz, Sie7e, Telebit, Simon Grossman, Luz Pinos, Vicente Cifuentes, Marissa Mur, Mareh, Pilar Cabrera, Kanaku and el Tigre, Sebastián Romero, Alejandro and Maria Laura , Duina del Mar, Prime Numbers, Lorena Blume, Alejandro Roca Rey and Matias Cella, who performed the musical mix. It is “a synchronized Pan American choir trying to help the most vulnerable,” Beda said. The artists will also collaborate in disseminating information about the disease among their followers.

In addition to fundraising, Beda added, “The song is perfect for giving people courage and strength in these difficult times. But we also know that many people need more resources to survive this crisis, and that is why we have decided to give our all to try to help the most vulnerable people. “

PAHO called on donors and partners to increase the capacity of countries in the Americas to respond to COVID-19. The response strategy has two main objectives: to stop the transmission of the virus and to mitigate the health impact of COVID-19 in the Region. $ 94.8 million is initially needed to support critical response efforts in countries most in need of aid until September 2020.


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Bappi Lahiri is ready to make music with American singers Lady Gaga and Akon https://steveazarlive.com/bappi-lahiri-is-ready-to-make-music-with-american-singers-lady-gaga-and-akon/ https://steveazarlive.com/bappi-lahiri-is-ready-to-make-music-with-american-singers-lady-gaga-and-akon/#respond Tue, 22 Oct 2019 07:00:00 +0000 https://steveazarlive.com/bappi-lahiri-is-ready-to-make-music-with-american-singers-lady-gaga-and-akon/ We have seen some of the famous American pop singers come to the Bollywood platform to stream popular songs including the title song of Singh Is King, sung by Snoop Dog, Chamak Challo, performed by Akon and Chiggy Wiggy, sung by Kylie Minogue. . Although these American singers were brought in by superstars Akshay Kumar […]]]>

We have seen some of the famous American pop singers come to the Bollywood platform to stream popular songs including the title song of Singh Is King, sung by Snoop Dog, Chamak Challo, performed by Akon and Chiggy Wiggy, sung by Kylie Minogue. . Although these American singers were brought in by superstars Akshay Kumar and Shah Rukh Khan, but this time a music composer is going to bring two mega singers for his next track.

Confirming the same, the music composer, Bappi has recorded his duet with Lady Gaga where she will sign in English while Lahiri will sing in her inimitable style in Hindi, as quoted by Mumbai Mirror. The report says the music composer is set to bring Lady Gaga in for her next song. He was quoted as saying, “Yes, two duets, with her singing in English and me in Hindi in my inimitable style. We are now awaiting the green light for release, hopefully by the end of the year. That’s not it, he also collaborated with Akon two months ago and he said that this song will be released soon.

Bappi Lahiri is not finished yet, tech house wizard Jamie Jones and DJ duo The Martinez Brothers also joined hands for the first time for a dual tracker with Bappi. He has the wind in his sails! Meanwhile, Bappi Lahiri is known to have composed upbeat disco tracks in the past.

Songs like Tamma Tamma Loge, Disco Dancer, Oo Lala Oo Lala, and many more are composed by Bappi Lahiri who became the chartbusters. These songs are still played on various occasions. Knowing the collections of Bappi songs, we wonder what new features he will offer in his next song.

Image source: Instagram / bappilahiri_official_ / ladygaga / akon


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Chester Male Voice Choir Welcomes American Singers For Special Concert https://steveazarlive.com/chester-male-voice-choir-welcomes-american-singers-for-special-concert/ https://steveazarlive.com/chester-male-voice-choir-welcomes-american-singers-for-special-concert/#respond Mon, 24 Jun 2019 07:00:00 +0000 https://steveazarlive.com/chester-male-voice-choir-welcomes-american-singers-for-special-concert/ Final preparations are underway in Chester as one of the city’s top choirs prepares to welcome not one, but two visiting choirs across the pond. Chester Male Voice Choir will extend the hand of friendship to two American choirs when they visit Chester on Wednesday July 17 at 7:30 p.m. for a joint concert at […]]]>

Final preparations are underway in Chester as one of the city’s top choirs prepares to welcome not one, but two visiting choirs across the pond.

Chester Male Voice Choir will extend the hand of friendship to two American choirs when they visit Chester on Wednesday July 17 at 7:30 p.m. for a joint concert at Chester Town Hall.

The Voices in Harmony concert will feature performances by the Chester Male Voice Choir, under the musical direction of Rodney T Jones with the accompaniment of Helen Jackson, and a mixed choir composed of 60 members of Orange Community Master Chorale and Master Chorale of Saddleback County in Saddleback County. California who are visiting Chester as part of a concert tour of Scotland and northern England.

Formed in 1994, The Orange Community Master Chorale is a community choir located in the city of Orange, Orange County, California, and has a reputation as one of the best community choir organizations in southern California.

The choir has participated in and created events with the goal of making the city of Orange more culturally and musically diverse and they hold large-scale community events in the city every year, including the tree-lighting and candle-light procession for the city of Orange which sees several thousand people. waiting for.

The choir has also been a featured choir for special performances each year, including the Candlelight Procession at Disneyland in Anaheim, California, and they have also performed at the Disney Community Service Awards.

The choir also presents fall and spring concerts and in May 2009 performed at the prestigious Carnegie Hall in New York under the direction of their director Michael Short.

The choir’s most recent performance was Carmina Burana with the Saddleback Valley Master Choir joining the choir on their UK tour including the concert with Chester Male Voice Choir at Town Hall.

Formed in 1963, the Master Choir of Saddleback County celebrated its 50th anniversary in 2013. The choir is dedicated to providing cultural service to Orange County in the presentation of choral masterpieces and in the encouragement of the performing arts. musical scene in general.

The oldest choral group in Orange County, the group currently has nearly 50 choral musicians in its ranks.

The American Combined Choir will be conducted by Michael Short, the founder and musical director of Orange Community Master Chorale.



Members of the Chester Male Voice Choir (LR): James Pye, David Marks, Ian Belton, Mike Heathcote, Peter Walsh, Martin Hine, David Lamb, Blair Wilson, Ron Webster, Geoffrey Hewson and (kneeling) Cerith Thomas with chairman of John Walsh Choir prepares to welcome two visiting choirs from the United States who will join them for a special concert at Chester Town Hall

In addition to his secular responsibilities as Vocal Music Director at Orange High School, Michael is also Music Director at First United Methodist Church in the City of Orange and has conducted several concerts at Carnegie Hall in New York with high school and college students. adults. and regularly hosts concert tours for both age groups in the United States and internationally, including the tour that includes the choir tour in Chester.

Under his direction, choral groups appeared in two feature films, Ed Wood and Sister Act 2, and performed the musical voiceover for a film about cult comic book legend Stan Lee.

Musical events in and around Cheshire

Chester Male Voice Choir President John Walsh said, “We are delighted to have been invited to host this joint concert for the California Combined Choir and perform at one of our favorite venues around the city.

“They’re in Chester for three days and this will be the last gig on the last day of their 10-day tour.

“We really can’t wait to be there and hear their contrasting program which should make for a memorable evening and a great memory for the tour.

“We are delighted to have both our President and our Vice President as guests of honor – Her Grace the Duchess of Westminster and the new Lord Mayor Councilor Mark Williams and his wife Denise.”

The concert will start at 7:30 p.m. and there will be an interval bar available. All the details on Voices in Harmony are available at www.chestermalevoice.com/concerts where tickets can be purchased online. Tickets can also be purchased in person at the Chester Town Hall Tourist Information Center or by phone on 07894 509529.

A limited number of tickets will also be available for purchase at the door the same evening.


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American singers never use the word “who” https://steveazarlive.com/american-singers-never-use-the-word-who/ https://steveazarlive.com/american-singers-never-use-the-word-who/#respond Thu, 16 May 2019 07:00:00 +0000 https://steveazarlive.com/american-singers-never-use-the-word-who/ I studied abroad in Austria when I was at university, and sometimes I like to listen to the Austrian Top 40 to hear a little German. Recently, a pop-rap song appeared called “Pass auf, wen Du Liebst” (“Be careful who you love”). “It’s grammatically correct! ” I was thinking. “It’s strange!” American and British singers […]]]>

I studied abroad in Austria when I was at university, and sometimes I like to listen to the Austrian Top 40 to hear a little German. Recently, a pop-rap song appeared called “Pass auf, wen Du Liebst” (“Be careful who you love”). “It’s grammatically correct! ” I was thinking. “It’s strange!” American and British singers would never use who, the English equivalent of magnifying glass. There are more than a dozen songs with the title “Qui aime-tu?” and unless you use what grammarians would say is the appropriate form of the pronoun. Do German rappers have better grammar? What do we have against who?

who is now mainly relegated to the written language, appearing in literature, academic papers, and the Mueller Report. It is rarely heard, even in the most rarefied contexts, as linguists Yoko Iyeiri and Michiko Yaguchi discovered when they analyzed White House press briefings and university professors’ meetings. Using it is a dangerous endeavor, because even if used correctly, it can be seen as “frozen, archaic, stuffy, or contrived,” as linguist Alan Kaye explains. He means “pretentious” but is too polite to say it.

The disappearance of who is not a new development. It has been in constant decline since around 1830. A character in Shakespeare, for example, asks, “Who would you hit?”


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Indo-American Singers Face Off in Unique 3-Day Reality Show – Meri Awaaz Suno America https://steveazarlive.com/indo-american-singers-face-off-in-unique-3-day-reality-show-meri-awaaz-suno-america/ https://steveazarlive.com/indo-american-singers-face-off-in-unique-3-day-reality-show-meri-awaaz-suno-america/#respond Mon, 13 May 2019 07:00:00 +0000 https://steveazarlive.com/indo-american-singers-face-off-in-unique-3-day-reality-show-meri-awaaz-suno-america/ Dozens of talented singers and their families gathered for three days for a competition to choose the best of them at the 2nd Meri Awaaz Suno America Competition which took place May 10-12 at the Jo Ann Magistro Performing Arts Center in New Brunswick, NJ 82 candidates from 22 states in the United States as […]]]>

Dozens of talented singers and their families gathered for three days for a competition to choose the best of them at the 2nd Meri Awaaz Suno America Competition which took place May 10-12 at the Jo Ann Magistro Performing Arts Center in New Brunswick, NJ

82 candidates from 22 states in the United States as well as Canada and the United Kingdom participated in the 2nd Meri Awaaz Suno America Singing Competition which was held May 10-12 in New Brunswick, New Jersey. (Photo: KK Photography via Jhoom Events)

Eighty-two contestants from 22 states in the United States, Canada and the United Kingdom entered what was a highly competitive program that featured famous artists as judges. About 600 people came over the three days to enjoy and participate in the show.

“This is a very popular competition and the largest of its kind – a Pan American event,” Tarang Soni, CEO of Jhoom Events, the main organizer, told Desi Talk. “This has increased from last year, when we had 62 applicants from just 10 states in this country. And the quality of applicants has improved since last year, ”added Soni.

Padma Shri Dr. Sudhir Parikh, Founder and Chairman of Parikh Worldwide Media, and Chairman of ITV Gold, congratulated in Meri Awaaz Suno America Singing Competition, by famous singer Lalit Pandit and others. (Photo: KK Photography via Jhoom Events)

Singers were given the choice to sing in one of four categories – classical, semi-classical, Bollywood and folk.

The semi-final took place on May 10, where 10 singers from the adult and child categories were to be chosen. But because there was a tie between some of the singers, it turned out that there were 11 finalists each in the Adult and Child categories.

Contestants watch the winners receive prizes at the Meri Awaaz Suno America Singing Competition held in New Brunswick, NJ, May 10-12. In the photo at left in gold salwar kameez, Tarang Soni, CEO of Jhoom Events, which hosted the competition. (Photo: KK Photography via Jhoom Events)

Despite the large number of applicants, the judges made sure to give each artist feedback, also giving them tips on how to improve. The organizers made sure that every competitor had an equal chance.

May 11 was spent organizing stage rehearsals for the final competition, Soni said. Those who won the semi-finals were interviewed by the media and were also briefed on the purpose of the competition, which was envisioned and initiated by Jhoom Events CEO Tarang Soni.

Some candidates of the Meri Awaaz Suno America singing competition, interviewed by the media. The event took place May 10-12, in New Brunswick, NJ. (Photo: KK Photography courtesy of Jhoom Events)

“I love to sing. It’s my passion. And since I was a kid I wanted to do something for those who have the passion but not a platform like this to show their talent,” Soni told Desi Talk , adding: “I also wanted to make sure it was a transparent competition where the judges were of the highest quality”,

The grand finale took place on May 12th where the top 11 in each category performed. They have been judged by renowned singers and performers Lalit Pandit (who has over 500 hit songs to his name, Soni noted), Parthosarthy Mukherjee, Prashant Soni and Parmjit Hans.

Aric Diamani hosted the show and hosted the event.

Sarika Kansara has won the Special “Voice of New Jersey” award for her contribution to the field of music over the past 20 years. It was introduced to him by Lalit Pandit and Padma Shri Dr. Sudhir Parikh, Founder and Chairman of Parikh Worldwide Media and Chairman of ITV Gold. Dr Parikh was also congratulated at the event, awarded with a plaque by Pandit.

Lalit Pandit launched his eldest son on the Meri Aawaz Suno America season 2 platform with his new song “Dil ye mane nahin”, a coming-of-age song about a teenage boy falling in love for the first time.

There was also a RAP song written and sung by 8-year-old Atharva Soni. Meri Awaaz Suno America wants to be the platform for children who love to sing and where the talent speaks for itself.

In the kids category, Srushti Gubbi of Michigan took first place; Manasi Pujari of New Jersey was the 1st finalist; and Shohini Chakraborty of California and Nandan Pujari of New Jersey shared second place.

Nandan Shastry, in red tie, honored by Lalit Pandit at the Meri Awaaz Suno America event held in New Brunswick, NJ, May 10-12. Jhoom Events CEO Tarang Soni, fifth from left, was the main organizer of the event. (Photo: KK Photography courtesy of Jhoom Events)
An award presented by the judges at the Meri Awaaz Suno America Singing Competition held in New Brunswick, NJ, May 10-12. (Photo KK Photography courtesy of Jhoom Events)

In the Adult category, Nandan Shastry of New Jersey won first prize; Sahana Harikrishnan of New Jersey won the 1st runner-up; and Sonia Keshwani from Washington won the 2nd finalist award.

Dr Parikh presented the “Pt Pratapnarayan Prize” with Pandit to Nandan Shastry for the best classical song.

All participants received T-shirts featuring the word “Meri Awaaz Suno America” and other gifts.

The CEO of Jhoom Events thanked all the judges, sponsors, participants and the public for their support and the months of hard work, persistence and patience required to conduct a fair and transparent competition, the press release said. She urged the community to support, sponsor and publicize the initiative.

Parikh Worldwide Media was the big sponsor of the show and will air the episodes on ITV Gold in the coming days.


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Urban Desi concert in New York with the best American Indian singers https://steveazarlive.com/urban-desi-concert-in-new-york-with-the-best-american-indian-singers/ https://steveazarlive.com/urban-desi-concert-in-new-york-with-the-best-american-indian-singers/#respond Thu, 29 Mar 2018 07:00:00 +0000 https://steveazarlive.com/urban-desi-concert-in-new-york-with-the-best-american-indian-singers/ DJ Shadow, Arjun and Jaz Dhami at the Urban Desi Concert press conference in Indikitch on March 28, 2018. NEW YORK – After two successful years, Urban Desi is back this year with another improved conference, followed by the most anticipated desi concert in New York. The two-day event, presented by Saavn, will have a […]]]>
DJ Shadow, Arjun and Jaz Dhami at the Urban Desi Concert press conference in Indikitch on March 28, 2018.

NEW YORK – After two successful years, Urban Desi is back this year with another improved conference, followed by the most anticipated desi concert in New York.

The two-day event, presented by Saavn, will have a few new additions this year, including a formal gala evening with all concert and conference guests, private workshops with dancers and musicians, and a pop-up shop before the concert. .

This year’s conference will feature not only panels with desi musicians, but also South Asian leaders in technology, entertainment, business, marketing, education, philanthropy, art and fitness covering eight topics including: A Woman’s World; Made in New York; Entrepreneurship and start-ups; Philanthropy and non-profit organizations; Health, fitness and well-being; The YouTube frenzy; The Audible Image: Digital Music & Streaming and KALAKAAR: The Desi Artist.

The gala will take place after the conference, Thursday, March 29, at the Kimmel Center at New York University, and will feature Terry Mardi, the man who coined the term “Urban Desi,” as the keynote speaker.

The pre-concert pop-up store on March 30 at Irving Plaza will feature Urban Desi designers like Roots Gear, Atif Ateeq, Babbu the Painter and Badal Patel while DJ Sharad and Rohit Sharma will release the pre-show music. .

The concert will bring back artists like Amar Sandhu, Pranna, Fateh, Samica and Saavn Artist Originals (AO) hitmakers Raxstar, The PropheC and Zack Knight. It will also see new artists such as Sonna Rele, Bambi, Jaz Dhami, Bohemia, Kamal Raja and Arjun.

Arjun will play his first album in America for the first time.

“I can’t wait to finally perform at the Urban Desi conference in New York. With each passing year, it is becoming an increasingly important and influential event for South Asian youth in the United States, offering a range of speakers for entertainment and inspiration, ”Arjun said at a press conference on Wednesday March 28.

“This year’s event is even more special for me personally as I am sharing my debut album Closer To Home with fans for the first time at UDC,” he added.

Dhami told the News India Times he is looking forward to performing on the SVP stage this year.

Dhami became a musician at the age of 9 and has been making music for 10 years.

“The biggest thing I’ve done so far is the song ‘High Heels’ with Kareena Kapoor,” he said.

Dhami was also trained in Indian classical music although his rhythms are Urban Desi.

The concert will also feature local singer Neel Shah who has decided to give up his full-time job in data analysis and become a singer.

Shah has been singing since the age of three and won a karaoke competition at the age of 15, “it was like a wake-up call since I won against other Indian competitors”.

Shah enjoys singing old Bollywood classics, especially songs by Mohammed Rafi.

The Urban Desi concert and conference was launched in 2016 by Monty Kataria and Abhinav Chintakunta in association with Urban Asian and Brown Girl magazines and is presented by Saavn, Aleria Arts and Seth Studios.

“The South Asian or Desi diaspora culture and community is so vibrant and relevant that we had to put it all together. This is our third year in a row and we are just getting started, ”Kataria said.

The conference and gala will take place at New York University’s Kimmel Center on Thursday, March 29, while the concert will take place at Irving Plaza the following day.


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American singers could learn from Elza Soares’ hard-earned shine https://steveazarlive.com/american-singers-could-learn-from-elza-soares-hard-earned-shine/ https://steveazarlive.com/american-singers-could-learn-from-elza-soares-hard-earned-shine/#respond Mon, 22 May 2017 07:00:00 +0000 https://steveazarlive.com/american-singers-could-learn-from-elza-soares-hard-earned-shine/ Elsa Soarez at the town hall on Friday, May 19. Justin Joffe for Observer On Friday night, the town hall was inundated with Brazilians of all ages, sizes and colors, recklessly seeking a seat as close to the stage as possible. Several friends recognized each other and exchanged jokes in the aisles. A man took […]]]>
Elsa Soarez at the town hall on Friday, May 19. Justin Joffe for Observer

On Friday night, the town hall was inundated with Brazilians of all ages, sizes and colors, recklessly seeking a seat as close to the stage as possible. Several friends recognized each other and exchanged jokes in the aisles. A man took out a sheet of stickers which he printed that read “I am with Lula”, distributing them to his friends in solidarity with Luiz Inácio Lula da Silva, the former Brazilian president and founder of the Workers’ Party who has spawned a non-partisan movement focused on changing the way Brazil seeks to recognize, support and reform its poorest communities.

Public empathy for Brazil’s marginalized and forgotten people was celebrated by who they were there to see—Elza Soares, 79 years old, matron of Samba music and Brazilian national treasure.

To call Soares’ story “from rags to wealth” would be simplistic: she grew up in one of the poorest favelas in Rio de Janeiro, Moça Bonita, in the neighborhood of Padre Miguel, her father a factory worker and her laundress mother. Soares was forced by her father to marry at age 12 and only participated in the talent show that introduced her voice to the world a few years later when she had to buy medicine for her child. Asked by the host what planet she was from, she replied, “The same planet as you, sir… Planet Hunger.”

Countless tragedies attempted to pursue Soares’ ambition in the years that followed: losing a child at 15, becoming a widow at 21 and having to raise five children on her own, a marriage to footballer Garrincha that threatened her. and ostracized by an audience that called her a gold digger and tow truck. Both were exiled in 1966 by Brazil’s military junta. Garrincha would later be behind the wheel in a car crash that killed Soares’ mother.

Thirty-eight albums later, Soares continues to put all of his pain, desires and aspirations into music. His set at City Hall last Friday, as part of the Red Bull Music Academy Festival, was rich in tunes from last year, hugely innovative. In Mulher do Fim do Mundo, a collection of songs written for Soares by producer Guilherme Kastrup and musicians from the samba sugo, or “dirty samba” scene.

Realizing Soares’ intentions of making an album about ‘sex and the dark’, Kastrup and the band produced a collection that finds the samba swashbuckler with radically inventive arrangements ranging from acid jazz to post-punk, creating grooves you’ve never heard before. , the kind of Marc Ribot-esque riffs that could fill a Tom Waits recording of the golden age worked into a fluid and sumptuous samba rhythm. The stories she tells on the album are no less difficult, as Soares takes her audience to the favela with tales of loss, racism, violence against women, gay and transgender people, prostitution and prostitution. bubbling anger.

She delivered them from atop a Gothic throne on Friday, with the kind of wiry black carpet at her feet that Tim Burton dreamed of in his nightmares. The group flanking her sides, Soares girded with her guts, and the fans dancing down the aisle during the openings of Forro in the Dark were careful to sit down and soak up her majesty as soon as she came. has begun.

The Observer spoke briefly to Soares, with the help of a translator, about her new album, how she keeps the fire in her belly and what it’s like to be now celebrated by a country that you hated it before.

[youtube https://www.youtube.com/watch?v=6SWIwW9mg8s]

What was it like to open the Olympics last year, given that the country you once celebrated exiled you?

Participating in the opening of the Olympics was moving: I am above all Brazilian and I love my country, despite exile during the dictatorship… It was difficult for all of us to fight for freedom of expression!

But between the Olympics and the government corruption scandals, can you say that something has really changed?

I always say that Brazil is one of the most beautiful countries that I know… a country where, planted, everything grows, even what is not good! Brazil is a rich country, it was nobody’s business to starve, it was up to everyone to have their land and to live with dignity, but they steal too much.

You said that The woman at the end of the world reject certain things. What parts of your autobiography do you think this collection poses the most challenges?

In my new job, I stand up for what I believe. [In] In Mulher do Fim do Mundo, I’m talking about racial prejudice, homophobia, and violence against women… I will always defend blacks, gays and women, these are my flags! I had to fight to not be prejudiced. Prejudice, whatever it is, is the dumbest thing in the human race.

“Poverty should not be ‘appreciated’ and trivialized. ”

How has the collaborative spirit of this record worked and how does it feel to have people working for you?

My meeting with this generation of new composers from São Paulo – who innovate Brazilian music with all that is most modern in the world – is for me a happiness that you cannot imagine. The result could only be this, a well-rewarded record and a show!

What excites you most about the “samba sujo” scene today? Who isn’t really afraid of getting their hands dirty?

I am passionate about modernity, novelty. I am excited by the risks; I don’t like the comfort zone of doing the same things. It makes me restless to always do what everyone else is doing. I am different and I love what is different!

When you told the host to Calouros in Desfile Whether you came from “Planet Hunger”, did you ever intend to use your public platform to put people of power in their place?

When I told Mr. Ary Barroso on his talent show that I was from Planet Hunger, I meant we are all the same. Hunger can strike anyone.

Elza Soares sends kisses to her audience at town hall on Friday. Justin Joffe for Observer

TV show The simpsons suggested that the Brazilian government paint poor neighborhoods in bright colors so that they don’t look unsightly to tourists, is that right?

I don’t know, but I am against taking tourists to show the misery in poor communities. Poverty should not be “appreciated” and trivialized.

You’ve said before that your life can be turned into a movie, and I think anyone who’s ever heard your music would agree. What would this film look like, stylistically, visually. Who would play you? What kind would it be?

I’ve been through so much in my life that even I don’t know how I survived… in fact, my life could make a movie script. Maybe my film would be like “Tragi-comedy”. [Laughs] There is a project underway to make the film of my life …

How did you manage to keep the indefatigable punk attitude towards assholes and cowards through your work, despite so much praise, recognition and reverence?

I insist ! I fight until the end, that’s why I sing “Let Me Sing to the End”!

Elza Soares returns to New York on August 5 for a free show as part of Summer party in Brazil.

What American singers can learn from Elza Soares' hard-earned brilliance


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